Rabbithole is now fiscally sponsored by Fractured Atlas, a 501(c)3 charitable organization that supports the arts. This means all your donations are tax-deductible! To find out more, and to make a charitable donation, please visit our Fractured Atlas page.
OPENING: THU 05 APR 2012, 6:00 - 10:00 pm OBSCURE OBJECT FILMS RETROSPECTIVE FILM SCREENING + VJ set w/ DJ Vandal
RABBITHOLE 33 Washington Street Brooklyn, NY 11201 Tel. 718 852 1500 rabbitholeprojects.com
Rabbithole Gallery is pleased to present, "Obscure Object Films - Photoplays by Stephen Dirkes", an exhibition of film, photography, sets, props and painting from the short films of Stephen Dirkes.
(above video: exclusive interview with Pierre Fichefeux by Paul Anel via landofcompassion.com)
PIERRE FICHEFEUX
The King of Chickens Makes Havoc in Heaven
MAR 01 - 31
Artist Talk w/ Live Performance by Bow Ribbons & Smiles Guthrie:
FRI 16 MAR 2012, 7:00 - 10:00 pm
Rabbithole Gallery is pleased to present an exhibition of new paintings by French artist Pierre Fichefeux from his series The King of Chickens Makes Havoc in Heaven. Opening March 1st and extending through to the 31st, this will be Pierre Fichefeux’s first solo exhibition in New York City.
Artist Talk w/ Live Performance by Bow Ribbons & Smiles Guthrie:
FRI 16 MAR 2012, 7:00 - 10:00 pm
Rabbithole Gallery is pleased to present an exhibition of new paintings by French artist Pierre Fichefeux from his series The King of Chickens Makes Havoc in Heaven. Opening March 1st and extending through to the 31st, this will be Pierre Fichefeux’s first solo exhibition in New York City.
Opening Reception w/ Nelson Cordero (nellieneltatoo.blogspot.com):
THU 23 FEB 2012, 6:00 - 10:00 pm
Rabbithole is pleased to present Pressure Me by Marina Markovic featuring performance, installation, video and a set of drawings. Throughout her career the artist has been exploring her own body and those of others, observing the process of healing from anorexia, pathological behaviors related to food consumerism as well as corporeal rituals.
Markovic has always treated the body as sculptural material and during the performance Pressure me